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Phreakmeister
March 30th, 2002, 06:40 PM
MOVIE ERRORS

This here forum is where we can post all the movie errors. I'll start:

TITANIC
* There's a scene where a woman from steerage takes her 2 kids to their room as the boat is sinking and tells them a happily-ever-after story which we assume means they're giving up hope of escaping and planning to go down with the boat. Also, in the same sequence, an old couple clutches each others' hands as water wells up next to their bed. Later, after we've all cried over the death of the woman and 2 kids, they are in a large scene in the background hopping on a lifeboat.
* In the scene where Jack and his friend are standing on the bow looking at the dolphins swimming ahead of the ship, the dolphins are clearly Pacific white-sides, not any Atlantic species.
* The lake that Jack told Rose he went ice fishing on when she was threatening to jump is a man-made lake in Wisconsin near Chippewa Falls (where Jack grew up). The lake was filled in 1917, 5 years after Titanic sank. That means Jack must've been roughly 10 years old or younger when he said he went ice fishing and fell in to the cold water, yet the lake never existed before 1917.
* When Jack comes to the first class dinner, Molly asks him if he'd care to escort her to dinner (Rose is already on his other arm). He says certainly and they link arms - Rose-Jack-Molly. Then the camera cuts to focus on Cal who's walking ahead of the group. When you look behind Cal, Molly is walking all by herself with no sign of Jack or Rose.
* When does Rose find the time to put a life-vest on? Kate Winslet is running around in water for over half the movie and still has perfect make-up on. I don't really think that water-proof mascara was around at that time.
* When the Titanic has gone down, one of the boats comes back to pick up survivors, the man on the boat shouts: "Can anybody hear me?" and a clear echo answers him. But how? There's nothing around to create the echo.....
* Rose is eluding her bodyguard, who she gives the middle finger as the elevator taking her and her lover lowers out of sight and out of reach. The finger salute HAD to be an anachronism of the most blatant variety - surely it wasn't in use in 1912? * Early in the movie old Rose states that she only wore the diamond necklace "this once" (when Jack draws her picture). Later in the movie Cal is shown helping her put it on when giving it to her. That's twice.
* The two butlers are looking for Rose with a torch, down below with the cars - torches didn't exist in 1912.
* In the scene on deck where Kate is checking out Leo's portfolio, and Leo is teaching her to spit, for a split second you can see the breakers rolling in to shore through the ship's railing. Also in this scene, the angle of the shadows changes constantly, indicating the scene was shot several times throughout the afternoon and then spliced together. And if you really think of it, if the Titanic was travelling east to west, the late afternoon sun would not be hitting the SIDE of the ship at all. * Young Rose has green eyes, but Old Rose has blue eyes.
* When Jack hands Rose the note at the dinner table the paper is yellow. Later when the note is read the paper is white.
* In the beginning, and throughout the movie Titanic, 'The Water-lilies,' by Claude Monet, is pictured. There are many paintings that Monet did in his lifetime that included waterlillies, but I believe this painting wasn't completed until the year 1923, in Orangerie, Paris. The painting was begun in 1916. So then how can a completed rendering be on the ship in 1912?
* The Statue of Liberty's crown and torch weren't lit in the 50's, so it's unlikely that it was lit when the Titanic's survivors arrived there.
* When Jack goes up to first class on a Sunday morning, the group is singing the Navy Hymn "Eternal Father". What is impossible is that they are singing the last two lines of the verse written for Naval Aviators. The verse starts "Lord guard and guide the men who fly". They are singing the last two lines, "Oh, hear us when we lift our prayer, For those in peril in the air." The Wright Brothers flew about 8 years before, and I don't believe that this verse was even added until the 1930's.
* Why was it that Jack, a 3rd class passenger, could pass SO easily from 3rd class to 1st class throughout the movie, and then at the end when he REALLY needed to get there, he couldn't get out?
* During the scene where Jack and Rose are enjoying their "flying" with a beautiful sunset as a background, the ship is going the wrong way! If as the scene was shot, the sunset was off the port (left) of the ship, it would have to be steaming north, not east as would be expected of any ship heading to New York from Britain
* As the boat is flooding and Jack and Rose are almost completely submerged in water, sometimes you can see that Rose's dress is cut knee-length to help her move more efficiently in water. One prime example of this is when Jack plunges underwater to get the keys to the gate in front of them.
* At the part when Jack or Rose (I can't tell which) wipes their hand on the fogged up window, they show it again in the next shot and you can definitely tell it's a completely different handprint.
* On the morning before Titanic sank (Sunday) Jack tries to go to the first class dining room to see Rose (I think it was the dining room). In real life, EVERYONE was allowed to go to the service, not just first class, though there were services in all the classes, but everyone was invited to attend.
* When the ship is sinking, and Rose and Jack are running through the inside of the ship, you can blatantly see cameras and crew outside the window.
* When the old Rose is shown at her house, she has three fish in the fish bowl. When she arrives at the place where they are exploring the Titanic, She unloads her fish bowl, which now has five fish.
* In the scene where Rose hands Jack a dime for drawing her, she hands him a Roosevelt dime, which were not minted until 1946. The correct dime would have been a Barber head dime.
* In the scene when Jack is dressed for dinner and waiting at the bottom of the grand staircase, Rose is shown taking Jack's arm twice as they are going to the dining room, once close up and once again in the background when Cal is talking.
* There is a dancing scene in a ballroom with a lot of mirrors, and when you look closely, you can see the filmcrew in one of the mirrors.
* Rose shows Jack several masterpieces of art she has recently purchased in Europe. I've never read a critic question how it is that those same masterpieces by Cezanne, Picasso, and Monet which hang in museums today, were on a ship that sunk, destroying virtually everything on it.
* When Leonardo DiCaprio says "sit on the bed....I mean the couch", it says in the script "sit on the couch" - Leo really made that mistake
* Rose mentions Freud's ideas on the male preoccupation with size to Bruce. However this is 1912, and Freud did not publish the work relating to this until 1920 in The Pleasure Principle. Also, up until 1919, Freud relied solely on data capture from females.
* In the scene where Jack enters the first class door for the first time in his tux if you look closely in the glass door you can see a cameraman behind him.
* Leo freezes and sinks into the ocean from the door. This wouldn't happen. Partially or even totally frozen human bodies float in water. Even fully-clothed frozen bodies have been shown to float.
* When Rose is arriving in New York half asleep, she looks at the Statue of Liberty, which is the same colour as now (green). But if you visit the statue of liberty, you'll find a plate telling you that the original color was brown, and it took over 35 years for it to change colour. The statue of liberty was placed there in 1886, so in 1912 it should have still been brown
* When Jack and Rose are running from the raging water that is gushing down the hall after them you can see the faces of the stunt doubles through the computer generated ones of Leonardo and Kate.
* When Jack is hand-cuffed to some pipes and the ship is sinking, Rose finds an axe to save him. Check out the few frames where Rose is actually swinging at Jack's handcuffs. You can see she never even came close to hitting them - or Jack - or the pipes he was handcuffed to! If you have a really good VCR you can even see that Jack has break-away handcuffs on.
* Why oh why is one of the people getting on the life boats wearing a digital watch? Surely they weren't around in 1912?
* After Rose has helped Jack to get loose from where he is handcuffed, as he is jumping over a bench one minute he has the handcuffs on, the next shot they're gone. Then they're back.
* At the end when rose is lying on the wooden door she is looking at the sky singing "come Josephine..." When you look hard you see that the stars in the sky are symmetrical. You can actually draw a line in it. [That is not exactly the case. If you look VERY carefully (this is much more effective on a big screen), you can see that the stars form the outline of the famous necklace, The Heart of the Ocean. I guess Cameron was a little bored that day.]
* When Cal is chasing Jack and Rose through the dining room and shooting at them, the windows in the background have sunlight shining through. Since the Titanic sunk in the middle of the night, no light should be coming through the windows. Hard to believe the crew took hours to light a "night" scene and didn't notice the sunbeams in it. This mistake can also be seen in a still photo in various movie tie-in books.
* According to the film officer Murdoch murdered a passenger and then committed suicide, a point in the film that made his home town very angry and the film company donated £5000 to a charity but Cameron has never appologised. According to eye witness accounts he gave his lifejacket to a passenger and went down with the ship.
* When Jack and Rose finally come aboard the top of the ship after she rescues him they ask the Colonel if there are any boats left and he says "up that way" The woman on the left, who looks kind of pathetic, is then later seen on the life boat with Molly Brown. (They show her face right after Molly says the line "its your men out there") The life boat with Molly Brown in it was sent out before the scene with the Colonel, meaning that she must have gone on the life boat, swam back onto the ship and then back onto the lifeboat.
* When the woman jumps into the water from the ship, ropes are hanging all around and chairs are seen floating in the water. When the camera angle changes, there are no chairs in the water and there are no ropes around her.
* In the scene where the ship tilts to a vertical position, you see people falling and hitting objects on the deck. In a close up of that, you can see that a black metal cylinder thing has wrinkles in it and bends when someone hits it.
* In the dinner scene, just after Jack says, "Never did like it much", Cal starts laughing, but in the next shot he has a straight face and is chewing.
* When Rose is trying to rescue Jack she spies a fire axe. Smashing all the glass out from the holder she grabs the axe and turns round. The next camera shot shows Rose standing in front of the case with almost all of its glass intact.
* Not so much a mistake but rather a unique cameo is in the scene where Jack is sketching the picture of Rose. The hands you see in the close up scenes are actually those of James Cameron himself drawing with the charcoal.
* Leo blinks as he sinks into the water after Rose lets go of his hand after the ship sank.
* Anyone who's ever been on a boat knows how dangerous it is to have a bigger boat floating nearby - it produces huge waves that make the little boat tilt and many times turn over. Now what kind of waves would such a huge ship as Titanic produce!? However, at the beginning of the movie, when Titanic is leaving the port, there is a fishing boat nearby with a fisherman in it - and nothing even moves.
* When Rose is about to jump off the back of the boat there is a long shot of her and she is wearing black socks. But when Jack helps her back over she slips because her red shoes get caught on her dress.
* Jack says "Look at that one jump," when looking at the dolphins before it actually does.
* When the water crashes through the dome, although this is a very impressive effect, look at the hole the water comes through. You can see the peak of the set and a bit of the huge bucket used to tip the water.
* Look closely at the location of Rose's beauty-mark the first time you see her at the dock. It is on the opposite side of her face during the rest of the movie.
* When Jack and Rose get into the elevator to get away from Cal's guy, there are a couple of people in it. When Rose gives him the finger, there's no one behind them anymore. When they get off again, there's no one in it either.
* When the ship is about to leave the dock, there's a lot of people saying goodbye to the ones that are going to leave the city. In the following shots, you can see jack and his friends playing cards inside the pub. If you look through the window you won't see anyone. In the next shot, when Jack leaves the pub, the crowd is there again.
* During one side shot of the ship sinking at night, the bow has clearly begun to slide under. There are several lines hanging off the side of the boat. The lines are perpendicular to the boat, not the water, indicating that the model was filmed when level and tilted digitally.
* When Jack and Rose are talking on the deck. Rose is explaining to Jack why she considered jumping. She stated that she felt that she was screaming at the top of her lungs and no one was listening. He looks at her ring and states that she'd sink straight to the bottom...yadda, yadda, yadda. If you watch that scene, pay attention to Rose's hair. One second, her hair in perfectly curled with bangs, then it is behind her ears. It alternates back and forth: bangs, no bangs, bangs, no bangs until she grabs his portfolio and they sit down on the chairs to look at his drawings.
*While the sets duplicated the woodwork detailing of the Titanic, they used "flat-sawn" oak which has a completely different appearance from the more expensive "quarter-sawn" oak used in the Titanic (and virtually all Victorian and Edwardian cabinet work)
* The diamond in the film, "La Coeur de la Mer," is supposed to be a diamond owned by Louis XVI and lost during the French Revolution, which Lovett refers to also as the "Blue Diamond of the Crown." In one early scene Lovett mentions to Rose that "Today it would be worth more than the Hope Diamond." This is impossible: the diamond of which he speaks is in fact the Hope Diamond, which was also owned by Louis XVI, lost during the French Revolution, heart-shaped, and known as the Blue Diamond of the Crown while owned by the French monarchy. The two stones are one and the same. Also, the Hope was recut sometime in the early 19th century to its present oval shape, so that it had lost its heart-shaped form a century before Titanic sailed; this makes "The Heart of the Ocean" something of a misnomer. Needless to say the Hope Diamond was never on board Titanic, and is now lodged safely in the Smithsonian rather than lying at the bottom of the ocean.
* A small one & probably only noticed by dog trainers. When the dogs are being brought on board, they are on leather leashes made by J&J Dog Supplies, invented in the 1970s. It is the type of leash preferred by professional trainers, who probably supplied the dogs for the movie, and is distinguished by the "braid" near the snap, rather than by a sewn or riveted section.
* During the drawing scene, 'Jack' is using modern square sided, pressed charcoal with numbers embossed in the side of it. In 1912, Jack would have been using vine charcoal which was round and made of 'charcoalized' willow twigs.
* Many scenes used computer graphics to show the length of the ship. Passengers were also added walking on deck. The shadows for the passengers don't always match. There is actually a shadow of a woman wearing a large hat when the woman isn't wearing a hat at all.
* When the camera pulls back through the pub window to reveal the card players, if you look carefully in the background you will see a Steam Engine on the dock. Unfortunately the computer generated loco is clearly American as it has two domes, something NEVER seen on British locos. It also is shunting what looks like a carriage - again, this is also American. Carriages were rarely seen at docks, except if a train was connecting to a ship, and this was not common until the 1920s.
* In the scene where Rose is saying "I'll let go" in one of the shots you'll notice banding of the night sky - that appears on both VCR and DVD.
* Rose is wearing low heeled laced shoes throughout the entirety of the sinking scenes. Jack helps her jump off a small deck in order to flee for the lifeboats (she's wearing her lifejacket at this point). In this scene, Rose is suddenly wearing flat moccasin-type shoes of similar bone colour. Shoes then revert back to low heeled lace-ups after small jump assisted by Jack takes place.
* During the scene where Jack is handcuffed to the pipe, the water level rises above his porthole. Yet about half a minute later, the porthole is open whilst still underwater. Why does Jack not get completely pounded with sea-water?
* When Jack and Rose are dancing at the party in steerage, whilst spinning each other around, the camera shows each of them from each other's perspective. However, they are both shown as going in different directions - one clockwise and one anti-clockwise.
* When Rose is running in the hallways trying to find help for Jack when he is hand-cuffed, she finds a man and asks him to help her free Jack. She gets frustrated with him and says "listen" then hits him. In shots before (you can put it in slow motion to see it) you can look at the man's hand and it already has blood on it before he touches his face.
* When Jack and Rose are at the 3rd class party right after the elegant dinner Rose grabs a cigarette from a man's hand and smokes it once and gives it back before she stands on tip toes but when the camera films her again starting to rise up she still has the cigarette in her hand.
* If you look real closely at the brass buttons on the captain's jacket, you can see that they were apparently made in 1922 - ten years after the ship sank!
* In one of the sinking scenes, you can see the rectangular strobe lamps showing through the fabric in the glass dome.
* Jack (Leonardo Di Caprio) was handcuffed with old English Hiatt's Darby Handcuffs (type 104). This is historically correct. But the key for these handcuffs identifies them as modern reproductions, because it had a flat top and was "checkered". The old keys had an oval and smooth (only marked with "Hiatt" and a number) top. The handcuffs used in the film were surely not from 1912
* When the ship is sinking, there is a shot of Victor Garber leaning against the wall in deep contemplation. The camera angle is very tilted and a few things slide off the shelf in front of him. Look carefully on the DVD and you'll see a wire just under his elbow pulling the china cup off the shelf!
* David Warner's character (Lovejoy) carries a polished, plated and highly-engraved handgun that Cal uses to shoot at Jack and Rose as the ship is sinking. The handgun is a Model 1911 Colt .45 calibre semi-automatic pistol. The problem is that the entire 1911 production (and well into 1912) of the Colt .45 was to fill a U.S. government contract for a new sidearm. Lovejoy's Colt wasn't manufactured until after the Titanic sank and thus could not have been aboard the ship.
* At the beginning of the film, at the Southampton port in England, a man holds up his daughter and says "isn't that a big boat" or something like that in an English accent, yet his daughter replies "it's a ship, daddy" in an American accent.
* In an actor point of view shot, the steadycam and operator Jim Muro's reflection is visible in the window as Jack enters the first class area.
* The Master-at-Arms office, where Jack is handcuffed, was in actuality an inside cabin and had no portholes at all.
* In the scene where DiCaprio is showing off his sketchbook, there is one with a man's hands around a young girl's torso with his hands on hers. This drawing is an exact replica of a photograph by celebrated photographer Sally Mann called "Rodney Plogger at 6:01, 1989." Most likely a tribute of some sort by the director to a fellow artist, but obviously this drawing is out of place in 1912.
* In real life, the stokers in the boiler room wore heavy clothing to shield them from the intense heat, not the simple light clothing they wore in the film.
* In the scene where one boat drives back to search for survivors you can see the lightspot of one lamp turn around faster than the man who hold this lamp, so you know that the lightspot is not from the lamp of this man but from a studio lamp. The man sees that himself and turns around very quickly to hold the speed of the spotlight.
* In the departure scene at Southampton, the underwater shot shows the centre propeller begin to spin. The centre, turbine-driven, propeller was only deployed after the ship was in the open sea. It was a sort of "booster" engine that provided extra speed. It would not be used while in tight quarters.
* In the scenes depicting the shift of materials onboard the ship during the wreck, the same china, from the same shelves, fall twice.
* When Jack and Rose are running away from Cal to the first class dinning room, if you look at the glass you can see a black screen, a light, and a crewman.
* When Jack is asking Rose to dance after dancing with the little girl "Cora", you will notice that Jack's hair is down when first asking her and when the camera goes to Rose and then back to Jack that it is back up with, all nice and neat.
* In the scene where Jack is sneaking over the rail to the first class deck, a boy is preparing to spin his toy top. As Jack leaps the rail and begins walking, the boy throws the top and you see it start to spin. The camera angle then changes to show Jack walking, toward the coat he is about to 'borrow', and in the background you can see the boy again drawing back to toss his toy top. Since you have to meticulously wind the string around the top of the toy, it would be impossible for him to be making a separate toss. It's obviously the same toss filmed from two separate angles.
* During the break-up of the ship, David Warner's character, Lovejoy, is right where the gash starts. Right after we see the interior break-up shot, we see the hull breaking, and on the top, where Lovejoy should be, he is nowhere to be seen.
* After Tommy is shot and Fabrizio puts on his life jacket and ends up in the water, water from a porthole is sucking people into the ship, Fabrizio is sucked near the porthole. He stops himself by placing one hand on the side of the window, and one on the top of the window. Suddenly it's a stuntman, with heavy black gloves and long sleeves. Fabrizio saves himself, and it's his arm and hand once more.
* When cuffed Jack is screamming for help, you can see the water level in the porthole in the background although the room in which he is cuffed, has already been shown to be completely under water.
* In the scene where Rose is looking at Jack on the bow of the ship, you can see a tiny bit of desert behind him.
* Professional Radio Operators hold the key used for morse code between their thumb and two fingers - they don't tap it, as was shown. Tapping would produce a harsh voice in morse code.
* When Rose says her line "Yes, I would like to see my drawing" when she is in her stateroom with Lizzie, the shadow of what appears to be a boom mike (behind her and to the left) can be seen dropping down prior to her line and then going back up afterward.
* Titanic moved too close to, and swamped, a fishing boat when leaving Southampton as well as a private yacht off of Cherbourg. She was so large that she exceeded all of the contemporary understandings of fluid dynamics.
* Shortly after the ship has struck the iceberg there is a left to right shot of the exterior of the ship which clearly shows that the ship has a pronounced list. However, if you are familiar with the details of the Titanic you can see that it is going down by the stern and not the bow!
* When Rose is lying on the piece of board and she is trying to wake Jack by shaking his hands and such, there is some frozen stuff under Jacks nose. The scene cuts back to Rose and when we go back to Jack the ice isn't there. Then the scene cuts back to Rose and the next time we see Jack he has it on his face again.
* In the scene Leonardo DiCaprio is first invited to the dinner, you can see, as he is leaving, an earplug on the back of his right ear.
* Before Rose decides to leave the dinner party at the very beginning of the trip, she is wearing a necklace. When she is running outside to go and jump it is gone. In fact the necklace never appears again.
* Though James Cameron was very thorough on researching the ship, he missed one crucial thing: the lifts in first class only went down to D-deck; he shows them going down to E-deck.
* When Titanic is leaving Southampton she accelerates in few seconds to a incredible fast speed. That was impossible then, when large steamers were helped off by tiny tugboats.
* One of the misconceptions about the upper class and steerage passengers is that they were separated solely due to class reasons. First and I believe second class passengers had medical certificates that say they were free of disease, so they didn't have to pass through any kind of port check when they landed. One way of guaranteeing this was to keep them totally separated. This was common practice on the ocean liners of the time. Jack's being able to get into first class wasn't just improbable; it was potentially dangerous.
* Some of the sketches that Jack shows Rose have already been mentioned as copies of photos. One that hasn't been mentioned is of a woman reclining with her arm bent over her head so that her face is practically in her armpit. This is a direct copy of a photograph of Nastassja Kinski, probably from about the mid 1980s.
* When Jack and Rose are talking in the gym, with their backs to the windows, you can see the etched markings in the corner of various panes, showing that they are in fact modern safety glass.
* When Jack and Rose are fleeing along a passage the water causes a gasoline explosion in each light fixture it reaches. The Titanic would have had DC lighting, in which case the bulbs would have simply broken from the temperature differential and the water would have shorted out the entire circuit that that lightbulb was on.
* When Jack is handcuffed below deck you can see the water line on the porthole. Then we're taken to where Kate's at for her dialogue. Then we get a cut to the outside of the ship with a water level view. The camera then dips into the water down to Jack's porthole, clearly under water now, 5 to 8 feet. Yet in various scenes after this point there appears a water line on the porthole, sometimes there and then sometimes not.
* When Jack is helping Rose on to the life boat his face is serious, however in the next scene he seems to be laughing and when the scene changes again he is serious.
* The radio system in use at that time was based on spark transmission and we should never have heard nice clean morse code SOS or CQD beeps.
* Among the items recovered from the ship is an old hand mirror. While suspension of disbelief allows us to accept that a mirror could last this long intact, the fact is that submerged in water, at that pressure the mirror would have turned streaked if not turned totally black.
* When the cars first arrive at the docks, the 'porter man' says to Cal, "If you'd like to check in at the main gate, it's round that way, sir" yet continually looks at Cal, giving no indication as to where the main gate is.
* After running from Cal shooting at them, Rose and Jack run UP through the dining room, away from the flooded staircase. They go up and up, then down 1 flight of stairs. Yet when they look back up those stairs, there's water overflowing down to them at the base. There's also doors holding back a wall of water at the end of the corridor that they enter. Water isn't rising that fast.
* In the scene where Jack is drawing Rose, as he is about to start drawing, the shot cuts back and forth from a close up to a wider shot. In the close up Jack is holding his charcoal pencil, in the wide shot he is not holding it.
* Despite Molly Brown being called Molly throughout the film, she was never called that in her lifetime. Margaret Tobin Brown's nickname in life was "Maggie".
* When Jack, Tommy and Fabrizio pull up the bench to break down the gate, you will notice that the bench was anchored to plywood. Plywood was not produced in 1912.
* In the scene of the nude drawing, where is the maid? In high-society 1912, she would have needed one to remove her corset and her dress. She could not have done this on her own and she certainly would have needed help getting back into it when he finished the drawing. You see her earlier with her maid, Trudy, lacing up her stays. She could not have gone without her corset because all her dresses would have been measured and cut with it on.
* When Jack and Rose are kissing after Rose's flying session, her hand is around his neck... suddenly there's a cut and it's right by her side... so quick....
* Thomas Andrews is shown looking up from his ship plans at a quivering light fixture at the moment when the Titanic hits the iceberg. In reality, he did not feel or become aware of the collision until told about it some 10-15 minutes later.
* In the scene where Titanic is first out and they speed up, Jack and his bud are looking at the dolphins. In the first shot you see the red line and the depth markings in white on the black hull of the boat. Then you see a solid black hull, no red, no markings, a second later, the markings are back.
* When Andrews is on the deck and the crew are lowering the boats, he walks down a staircase, (not the grand) you see a vent, used to bring air into the ship. But all of the vents had motors, and you can see this one doesn't; even though it is still there on the wreck.
* In the scene the captain looks at the bridge sinking, the water level is by the middle of the helm wheel. In the next, from the other entrance, the level is lower than that, and in the next it's again by the middle of the wheel.
* Right after Jack rescue Rose from her slip and the crew show up. He tells Jack not to move. Jack stand up in his stocking feet, his pants and shirt. Next scene the "Master of Arms" putting on the hand cuffs and Jack has his jacket on too...
* When the ship hits the iceberg and the plates of the hull start to buckle and break apart, it shows a scene on the inside of the ship showing the walls buckling in, along those walls you can see vertical pipes that appear to made of PVC, similar to the pipes used for sewage drains in modern building structure. I don't think PVC was around in 1912, the pipes would have been made of cast iron or lead and they would not have been white.
* In a scene where Rose is taking the paintings out of their crates, she pulls out one of Pablo Picasso's great works called "Les Mademoiselles D'Avignon". That's currently in a gallery, so can't have gone down with the ship
* At the end of the film Rose says that 18 people were pulled out of the sea. In fact 32 were.
* When Rose leaves Jack to find help, she runs and wades through water that, at times, is above her waist. However, when she is seen from the back after going up a staircase, the water level on her coat changes a few times and in one shot the coat shows no water line at all but is completely dry.
* In the scene where Jack meets Rose for Dinner and Cal says "you almost look a gentleman", take a look at Rose's facial expression before hand. The shot changes form side view to front view several times and her facial expression changes from smiling to normal at each change of shot in under 15 seconds.
* Eric Braeden, playing John Jacob Astor, is shown on boat deck level of the grand staircase when the glass dome collapses from the weight of the water. But when the real Astor's body was found, it was terribly crushed and covered with soot. In all likelihood, he was one of those unfortunates who was caught beneath the falling forward funnel.
* There was no door between boiler room 6 and the cargo area.
* When the kids are "making out" in the car below decks, numerous cars are visible. I used to subscribe to a magazine published by the Vintage Car Collectors' Association. One contributor estimated that, in light of the number of wealthy people on board, there could be as many as about three dozen cars sitting down there (with the wood, fabric, and tires gone, of course). He was refuted by a Titanic history buff who pointed out that two copies of the manifesto existed. One went down with the boat and the other survived at the destination. Apparently the only car on board was the Peugeot that drove to the dock as the boat was ready to depart. Added error: that car would have been loaded days or weeks earlier.
* Right after Jack and Rose kiss on the front of the boat, the camera slowly backs up to behind the boat so you can see the entire thing. It is a continuous motion for the camera, and Jack and Rose are still at the front of the boat for most of the shot, but if you keep your eye on them, they disappear by the time the camera gets to the back of the boat...
* It is fairly well known that James Cameron built a virtual full-size replica of the ship for shooting the exterior scenes. However only the Starboard side of the ship was constructed; when scenes were required that need to show Portside Cameron employed a method known as 'flipping.' For example, in the early scenes of the film we see Titanic at 'Southampton' and passengers boarding the port side. This was achieved by reversing the camera angles. All the signs on passing carriages/vans and White Star logos were printed back-to-front so that when the scene was printed it could be reversed thus showing both sides of the ship! The problem is that in reality the Starboard side of Titanic was NOT a mirror image of the Portside. On one side of the forward boat deck there were entrances to the First Class Gymnasium and forward Grand Staircase, while on the other side there were the windows of the Officers' Quarters and the entrance to the Wireless Room. On Cameron's Titanic you get to see the gym etc. on both sides of the ship.
* Not really a mistake, just a thought: when Jack is preparing to sketch Rose in the nude, he asks if she thinks Cal will come back into the room, she says "Not as long as the brandy and cigars last". Shouldn't both of them be more worried that her MOTHER would walk in and catch them? Women didn't go to the lounge for brandy and cigars after dinner...
* How could they haul the safe from the wreck? The robot has to meander through several doorways and rooms to find it. Even if the robots could be manipulated to harness a net around the safe, the prospect of dragging it back through all those obstacles to finally lift it to the surface seems patently impossible.
* Throughout the whole movie, you can see the outline of hills in the background, even though the Titanic sank in the middle of the Atlantic.
* This mistake, as far as I know, can only be seen in widescreen. After Rose, Jack, Tommy & Fabrizio have run on deck (after breaking the gate down), the camera looks down the ship toward the bow. If you look at this in slow-mo, you can see city lights in the top-left hand corner of the picture. I know these are city lights because in a book about the movie, it shows a similar picture.
* Cal and Rose are supposedly in cabins B52-54-56, but in reality this was the suite occupied by Chairman Bruce Ismay.
* At the end of the movie when Rose releases Jack in the water, she hears the lifeboat with the crew coming back for survivors. She lifts her head up and sees the boat going in the opposite direction of her. She then jumps off the piece of wood and goes to her left to get the whistle. When she blows the whistle she once again looks straight up ahead and sees the boat. How could the boat have gone all the way around to her new position in a matter of a few seconds?
* When Cal is chasing Jack and Rose by the clock, you can see he is holding Lovejoy's gun in his left hand. However, after he slipped over, you can see him picking himself up, the gun now on his right hand side. Wouldn't the gun have landed on his left?
* When the ships sinks and the back is rising, you see no people swim under the ship. When the ship breaks and falls down, the sea is crowded with people, who get crushed under the ship.
* In the scene where Jack and his friend are standing on the bow looking at the dolphins swimming ahead of the ship, the dolphins are clearly Pacific white-sides, not any Atlantic species.
* When the Titanic first set out in 1912, almost immediately after leaving the dock, the suction of her propellers drew in a neighbouring ship, the New York. It snapped its lines making sounds like gunshots and the ship came within several feet of slamming into the Titanic's stern. Only the quick thinking of the tugboat captains and Smith (Who ordered a touch ahead on the port propeller) stopped it from actually making contact. You'd think that this event would've been at least noticed by Jack or Fabrizio who would've had front row seats, yet it's not mentioned at all in the movie.
* How is it that the lights stay on so long while the ship is sinking. They don't totally go out until about the time the ship breaks in half (although about a third of the boat is underwater by then). The excuse could be made that there are multiple circuits for the lights in the ship, but there is at least one wide shot that shows all of the lights on the entire ship flicker at the same time. Also, I have been on a few modern day cruise ships and they have hardly any lights illuminating the outside decks at night yet the Titanic seems to have an abundance of outside lighting.
* Early in the film Jack smokes hand-rolled cigarettes. When he is smoking on the stern deck before Rose is thinking about jumping, he is smoking a mass-produced filter cigarette.
* Throughout the entire film something kept bugging me which I didn't click to until I saw it on video. The Bill Paxton character flies the old woman to the ship (probably at great expense)to tell him where the diamond is. He lets her settle in, eases her gently into the story ("Are you ready to go back to Titanic?") and she then goes on for 3 hours about Jack, her fiance, the ship, etc. Why doesn't he, or anyone else, ever say, "That's fascinating Rose, but what about the ***ing diamond"? Let's not forget, his character is basically a grave robber, he only wants the diamond for the finder's fee.
* Rose holds the axe further up before she swings but during the swing her hands are lower.
* On Sunday, before the church service, we see Rose's mom tightening Rose's corset. Later that day, when Jack draws Rose, she doesn't have any red marks on her skin from wearing the corset. These things broke people's ribs. She should have had at least some indication that she had been wearing one.
* During the scene at the steerage party, Rose is clapping her hands along to the music. Then Jack beckons to her to join in the dance, and she stops clapping. Next shot, she's clapping again.
* When we see the old couple lying on their bed waiting for the ship to sink, the water rushing in under the bed does not rise.
* When Rose is at the dinner party at the beginning of the trip, her hair is all done up in a fancy bun on the top of her head. Minutes later, when she is running outside to go jump, her hair is suddenly all down and long.




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Do you believe in death after life?

Phreakmeister
March 30th, 2002, 06:42 PM
PULP FICTION
* All of the clocks in the movie "Pulp Fiction" are stuck on 4:20
* Only some words which are said by Jules before he kills people are similar to Ezechiel 25.17. Quentin Tarantino wrote the additional words.
* When John Travolta and Samuel L. Jackson are fired at in the apartment, the bullet holes are already in the wall before the gun is fired.
* At the beginning, Amanda Plummer's character screams that she's gonna kill "every last mother f*ckin' one of you." In the last scene it's changed to "every last one of you motherf*ckers!"
* When Butch is approaching his apartment, there is a news report on the radio, saying that there was a fight at Jack Rabbit Slim's and that a man and a woman stole the trophy for the dance competition. So when we all wondered just how Vince and Mia won the contest with their cheesy dancing, the answer is they didn't... they just stole the trophy!
* The car that Jackson and Travolta accidentally shot that kid in changed from a black car (when they picked up their guns from the trunk) to a white car, when they were cleaning the blood & brains. So when Tarantino says "I can hardly believe it's the same car," it's more than a little irony.....
* In the scene where Butch is deciding to leave the place with the gimp there is a Killian's Irish Red sign on the right and Tennessee license plates on the left of the set. On the neon sign all of the letters of the sign are burnt out except KILL and ED. Butch can either decide to go to Tennessee and walk out the door on the left or he can go right to the sign that says KILL ZED. The letter Z comes from the keychain he is holding in his hand.
* In the part where they are giving Mia Wallace the adrenaline shot they mark her chest with a red magic marker. When the shot has been given, the red mark has disappeared.
* In the car, Vincent accidentally shoots Marvin in the face. However, when they are done cleaning the car and on their way to Monster Truck Joe's, they throw their garbage including Marvin's non-bloody, detached head, with facial features intact, into the trunk.
* Vincent Vega doesn't have much luck with bathrooms: He emerges from the bathroom at Mia Wallace's place to find her overdosing. He is heavily criticised by Jules in Jimmy's bathroom for soiling the towel. He emerges from the bathroom at the coffee shop to find a robbery is occurring. After he shoots Brett, a guy comes out of the bathroom with a "hand cannon" and tries to shoot him. Finally, he emerges from the bathroom at Butch Coolidge's flat and is shot dead by Butch.
* When Vince and Mia get back from Jack Rabbit Slims, and Mia is putting on the music, the shadow of a person walks past her on her left, but Vince is standing still in that scene.
* When Butch is inside the car on the way to/from his flat, first he turns his head to the left showing his sunglasses, next shot, the glasses are gone.
* When Uma Thurman is OD'ing, and John Travolta drives her to Eric Stoltz's house, you hear him crash into the house. However, when Eric goes outside in the same shot, you can see the tyre tracks of the real car on the grass go past the (placed) car.
* In the apartment scene early in the movie, the two empty their guns at the group of young men. The slides of their pistols **** back to signify an empty gun. When the other guy comes out of the back with the magnum, their guns are loaded.
* When Butch stabs that fat guy in the pawn shop, Zed stands up real fast and starts to go for his gun. When Marcellus shoots him, we see him grabbing his crotch, and can see that his pants are not even unzipped. How could he have time to zip his pants up?
* At the beginning, Tim Roth's character yells to the waitress "Garcon, coffee," but then when it returns to that same scene at the end, he says, "Garcon (pauses and looks around) coffee."
* The Buddy Holly waiter in Jack Rabbit Slims is played by Steve Buscemi who as Mr Pink in Reservoir Dogs, refused to tip waitresses.
* At the beginning of the film, when Brett is initially shot by both Jules and Vincent after Jules' Ezekiel speech, we see Jules' gun becomes empty on firing the last shot. However, on returning to the same scene at the end of the film, when Jules and Vincent shoot Brett the gun does not empty; in fact Jules is able to repeatedly shoot the guy who comes out of the bathroom afterwards and the gun still isn't empty...
* In the flashback scene with Christopher Walken, we see him hold up the watch, and its hands are clearly pointing in different directions. But when we see a close-up of the watch, it is set to 12 noon (or midnight).
* When Vincent takes Mia to Lance's house to give her the adrenaline shot, two board games are visible in the background. They are "Operation" and "Life" - appropriate.
* Butch's great-grandfather bought the gold watch in Knoxville, Tennessee and this is also where Butch is meeting his connection. Knoxville is Quentin Tarantino's birthplace.
* When Butch escapes on the chopper (Grace), the chopper appears to have a sidedraught type carburator in front of the stock Harley Davison air filter.When he arrives back at the motel to pick up Fabienne, only the stock air filter is present.
* While Plummer and Roth are talking at the beginning of the movie, Travolta is seen walking by, from the back and his shirt is blue. Later on, when Jules and Vincent change their shirts, we see that Vincent has a white shirt on and Jules has a blue one on.
* In the scene when Butch has just exited the store where he and Marcellus were being held, the "chopper" keys move from his left to right hands in the edits.
* When Butch escapes from where he is being held captive in the store and goes to unlock the door, it appears to be dark outside. When he later leaves it is still the same morning he went in.
* When Butch and his girlfriend try to decide where to go after he wins the fight, he says he wants to go to the Pacific. She says how about Bora Bora. Butch says "You don't know how to speak "Bora Borian" (I believe). Fabienne, his girlfriend, is French. In Bora Bora they speak French! Butch then says "nah....forget that, how about Mexico, or Tahiti?" Bora Bora IS in Tahiti!
* More trivia than blooper, but in the opening scene, you can see the bottom half of Vincent on the way to the bathroom while Pumpkin and Honey Bunny are talking, and you can also hear Jules talking.
* Vincent crashes his car into Lance's house. The front appears to be wrecked, yet after the ordeal, Vincent drives Mia home, and the car is fine.
* The marquee where Butch boxes advertises "Vossler vs Martinez". This is a reference to Rand Vossler and Jerry Martinez, two friends of Tarantino's from when he worked in a video store.
* The cabdriver, Esmeralda Villa Lobos (Angela Jones), appeared in a 30 minute short called "Curdled", in which she played a character who cleaned up after murders. This makes her fascinated by the idea of murder. Tarantino saw this film and decided to include this character in Pulp Fiction but as a cabdriver.
* The guy who comes out of the bathroom is played by Alexis Arquette who is the brother of Rosanna and Patricia.
* The kid that listens to Christopher Walken talk about the gold watch opens his eyes to a close up of his beautiful blue eyes. Then they show a close up of Bruce Willis' brown eyes when he wakes up from the dreaming.
* In the pawn shop, when Butch comes down to the rescue, he slashes the first man, steps in front of him, then stabs him. Zed steps forward and the sword swings up to Zed's face. In the next shot of Butch, it shows him bringing the sword up again.
* While Mia and Vincent are eating at Jack Rabbit Slims, Mia's cigarette keeps changing hands.
* The parts of "Honey Bunny" and "Pumpkin" were written specifically for Amanda Plumber and Tim Roth.
* During the Bonnie Situation when Jimmy of Teluca Lake is talking about when his wife will be home, an hour and a half or 9:00, if you add an hour and a half to the time on the clock behind him it does not equal 9:00.
* Quentin Tarantino must have had a childhood bully by the name of Marvin. In this movie the black guy who gets shot in the face is named Marvin. In Reservoir Dogs, Marvin is the name of the cop Mr. Blonde tortures.
* When the head explodes in the car, Jules has his back turned (he is driving) and so you see him with a relatively white shirt, yet later his shirt is covered in blood.
* All the clocks in Pulp Fiction are set to 4:20. [Except for the gold watch, which is set to noon. Not sure about the significance of that]. [A bit of background - 420 is the Police call for drugs/marijuana.]
* Early in the film, Vincent tells Jules, "I don't watch television". Later in the film, in order to explain the 'miracle of the misguided bullets', Jules mentions he was watching 'Cops' on TV the other night.


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Do you believe in death after life?

Phreakmeister
March 30th, 2002, 06:53 PM
FORREST GUMP
* In the scene where Forest goes and visits Jenny (and is introduced to his son), there is an iron on the ironing board in the background. It was standing up, then down, then up.
* The child's artwork in the background also disappears.
* They show someone reading from a USA Today that is from around 1970, but the newspaper wasn't even created until 1982.
* Jenny shows Forrest a clipping of him in U.S.A Today, dated 1983, but on Jenny's Grave it says she died on March 22 1982.
* When Forrest firsts meets Jenny on the bus to school, a girl is sitting behind them, then disappears.
* When Forrest is talking to Jenny at her grave, he says "You died on a Tuesday morning." But 22 March 1982 (the date on the grave) was a Monday.
* When Forrest and Lt. Dan first try catching shrimp on the new boat they catch a bunch of junk, including a Mello Yello can, which hadn't been invented yet.
* Near the end of the movie when he visits Jenny, it is supposed to be July 4th, 1976. On her TV is the New York Harbour Bi-centennial Celebration, and a shot of the Statue of Liberty shows her with a "gold" torch, which was added as part of her restoration in 1986. If it is 1976, Apple Stock did not exist.
* When Forrest is in the Army gym practising his ping pong skills, the Army guy comes in to tell him that he's been given his release papers and he can go home. There is a 3-point line on the gym floor. The 3-point line wasn't around yet.
* Jenny comes to visit Forrest as he is mowing his yard on the riding lawn mower. The first shot shows Forrest still mowing the edge of the long grass but the shot that shows him getting off to meet Jenny, the lawnmower is off of the line he was mowing and is away from the long grass - if you look, the grass in front of the lawn mower is already cut.
* When Forrest sits down next to Bubba he wipes his face off with a pair of women's underwear.
* In the scene where Jenny asks Forrest if he thinks she could fly off the bridge, a car is coming towards them - in the next shot it's gone.
* In the scene where Robin Wright's character is supposed to be playing the guitar and singing nude in the club, you can see the nude-colored thong she is wearing when they show her from the back
* When Mrs. Gump is reading to Forrest towards the beginning, she turns the page when shes interrupted by Forrests question. Then when she continues, she flips the page again to start where she left off.
* When Forrest sees Lt. Dan again after buying the shrimp boat, he dives off the boat and you see the boat going to the right, but when Forrest greets Lt. Dan and they look round to see the boat going the other way and crash into the pier.
* In the scene where Lt. Dan chases the hookers out of his apartment, if you look closely you can see Sinise use his real leg (which was taken out by the special effects people) to push himself back into his wheelchair
* When Forrest Runs towards Jenny in the reflecting pond during the Anti-Vietnam Rally, he runs by the same man twice. Look carefully for the man in the top hat and you will see it is really the same shot from two different angles
* In the scene when Forrest jumps of the shrimp boat to greet Lt. Dan there is a diver making it look like Forrest is making big splashes with his feet. This can be clearly seen in the last few seconds where Tom Hanks' feet can't possibly bend to make the water splash like it does
* In the scene where Lt. Dan is confronting Forrest outside the Dick Cavet show Lt. Dan Loses control of his wheelchair. As it spins out of control and flies by the camera you can clearly see Gary's Legs.
* Around 40-45 minutes into the film when Forrest and Bubba are on the helicopter to Vietnam, Bubba's lip isn't swollen.
In the scene where Forrest is carrying Bubba out of the jungle away from the airstrike, look carefully when Forrest starts down the trail into the open and the napalm starts hitting the ground. Several rounds land very close to him, and one even lands in a bush that he has just passed. In actuality Forrest and Bubba would have been crispy to the bone before they realised what hit them.
* In the scene when Forrest is a kid, and he is running away from the "Bullies", when he is just entering town from a dirt road you can see a lighted figure follows right behind him, the question is, what is it?
* When Forrest is running the football field and passing all the players, he passes everyone except the referee, who can be seen moving down the sidelines at a faster pace than Forrest.
* When Forrest was running from the truck, the truck came about a foot behind him in one scene. In the next scene, he's ahead of the truck quite a bit.
* When Forrest and Bubba are cleaning the floor with toothbrushes, in the background you can see somebody sneak to the side, possibly a crew member.
* When Forrest was running in the first football scene, it shows cheerleaders and a couple of football players on the sidelines, then the next scene in closer view of Forrest running it shows the same cheerleaders and players in the same exact spot as if Forrest ran that same part of the field again.
* When Forrest and Jenny meet for the first time and run through the meadows to the big tree, Forrest's knees bend when he runs and his braces never break. But when he's being chased by the boys on their bikes and runs the same way, they fall apart.
* When Gump saves Lt. Dan one of his legs is gone but when a bullet "bit" Forrest and he pulls Lt. Dan away while he's shooting both his legs are intact.
* When Forrest is sleeping in the hospital, right before lieutenant Dan pulls him off the bed, you see a ping pong paddle and ball on his bed with a hand on the handle. But it is not his hand. First of all, there's no way he could get he right hand in that position, secondly, when he is pulled off, the paddle, with the hand, stays there. Why would someone else be holding a ping pong paddle on his bed?
* When Forrest tell lt. Dan he is going to be a shrimp boat captain, Lt. Dan says "yeah, and I'm an astronaut." The next movie Tom Hanks and Gary Sinese made together was Apollo 13 where they were both astronauts....
* When Forrest is running across America and decides to stop in the desert, he is heading East (as is obvious by his shadow). He says "I think I'll go home now", turns around, and walks West... away from home.
* When Forrest first goes back into the jungle to find Bubba, the first soldier he picks up is Tex, who is white. But the hand that is raised to draw Forrest's attention towards Tex is black.

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Do you believe in death after life?

Phreakmeister
March 30th, 2002, 06:54 PM
BEN HUR
* Ben-Hur places his crown on a table when he visits the fallen Messala, but upon returning the table and crown are gone.
* During the chariot race, where the contestants are riding towards the screen, tyre tracks from the camera vehicle are clearly visible imprinted in the sand.
* In the scene where one of the ships collides with the other you can clearly see that the rowers being hit are dummies.
* When Ben Hur finally defeats the bad guy, his opponent's wheel disintegrates. However, as the chariot flips over, we see a complete wheel on both sides.
* Count the number of chariots that start the race. then count the chariots that get thrown out and the number that finish - there's one too many. There are 9 at the start, 6 get thrown out, and 5 finish.
* There is a hex bolt holding the spikes to the chariot wheel hub.
* During the triumphant entrance of the emperor in Rome, one of the hornblowing soldiers is wearing a Rolex.


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Do you believe in death after life?

March 31st, 2002, 02:09 AM
So where did you find all that Phreak?

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Co-Owner
Bueno Technologies

BeetleJuice
March 31st, 2002, 03:10 AM
Methinks someone has WAAAAAAYYYYYY too much time on their hands <grin>

Ven Dragnborn
Viatores Norrathae Guild
Ranger of 31 seasons
Rodcet Nife server
Ever Quest

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Go ahead and say my name three times...... I dare ya

One of these days we will look in our microscopes and find ourselves staring right into God's eyes, and the first one who blinks is going to loose his testicles.


<A HREF="http://www.angelfire.com/my/chihuahuas" TARGET=_blank>My
Chihuahuas</A>


The Book Worm (http://www.thebookworm.0catch.com)

Phreakmeister
March 31st, 2002, 06:38 AM
1) http://www.movie-mistakes.com
2) watch movies

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Do you believe in death after life?

Phreakmeister
March 31st, 2002, 08:13 AM
LORD OF THE RINGS: FELLOWSHIP OF THE RING
* In one shot of Gandalf's first appearance at Bilbo's front door, he is wearing light-brownish hiking shoes under his robes, and when he walks in, he's got his normal grey ones on.
* When the Uruk-Hai strings his bow to shoot Boromir for the first time, the arrow he pulls back looks much different from the one he lets fly a few seconds later. The arrow he pulls back has a nice feather on it (looks striped, like a turkey feather). The feather he actually shoots Boromir with is tattered and black.
* Look at the faces of Boromir, Legolas and Merry after they leave Moria and get outside. They have dirt on their faces in a particular pattern. Then they make their way to Lothlorien and get cleaned up. But in the final scene, the dirt returns in exactly the same places.
* Aragorn has a ring on his right index finger with a marquise shaped stone. When we first see it, as Boromir is teaching Merry and Pip to fight, it is whole. Next as Aragorn prepares to draw his sword on Boromir if he does not return the ring to Frodo, it is broken. After the Fellowship is buried under snow, we see it again and it is whole. Finally we see it as Aragorn lets Frodo go, and it is broken again.
* Right at the end, when Aragorn is telling Legolas and Gimli what they are going to do next, Legolas' arrows change colour from bright yellow to bright green in two shots.
* When Frodo is first seen, he is reading a book. When he gets on Gandalf's cart, he no longer has the book. Did he just leave it in the woods?
* As Bilbo leaves the Shire, he drops the ring just inside the door. The ring is seen on the floor over Bilbo's shoulder after he walks outside. You can see Gandalf step over the ring and through the doorway without touching the door. The door is FULLY opened, and the ring is in the light. Why then is Gandalf opening the door and a shadow cast over the ring as he goes back inside to examine it?
* In Isengard, while Saruman is talking to the Uruk-Hai, there is a blue liquid running down the Uruk-Hai's chin, and is dripping to the floor. Saruman then says "Whom do you serve?" the Uruk-Hai says "Saruman!" but in that shot the blue liquid is completely gone.
* After the hobbits take the tumble from farmer Maggot's field, they land in a heap with twigs in their hair. Frodo stands on the road and looks down it. He says, "I think we should get off the road" and the twigs are there. He looks back down the road and the smoke and leaves come swirling at him, he yells, "Get off the road" - no twigs. They hide from the wraith, then make their escape. Merry says, "What was that?" - and they have the twigs in their hair again.
* When Gandalf arrives in Hobbiton, some children start chasing the cart yelling for fireworks. At this point we can see a hobbit couple watching the children run past. The female hobbit places her hand on her hip, and then in a closeup she puts her hand on her hip again.
* As the fellowship approaches the Argonath, you can see in the long shot that the statues stand with the top half in sun and the bottom half in shadow. But as they move by in the close up of the foot, they are all in full sun.
* While at Weathertop, after Frodo puts out the fire, they hear a Ring Wraith. When they are all standing Sam is holding a small pot with a cloth on the bottom to hold it with so he won't burn himself, but his thumb is actually touching the pot and he doesn't get burned.
* After Bilbo turns himself invisible, we see a view from on top of the hill of Bilbo going back to his house. At this point, we can see down below at the party, and everyone is running towards where Bilbo was before he turned invisible. That had to have only been a few seconds after Bilbo disappeared. Magic ring or no magic ring, there's no way anyone, never mind a hobbit, could have run up the hill in that time.
* When the hobbits enter Bree, right after the wheel of the carriage passes in front of them, there is a man you see to the right who burps. That is Peter Jackson making a cameo appearance.
* When Frodo pulls Sam into the elvish boat after saving him from drowning, you can see Sam's foot for a second, and you see he doesn't have his hobbit feet on. Sam pulls his foot under his cloak right away to hide it. Nevertheless, it is noticeable and a bit funny.
* In the Amon Hen battle scene, at the start of the fight with Lurtz, Aragorn is slammed backwards against a tree knocking his sword out of his hand. There is then a shot of Lurtz throwing his shield at Aragorn, and in the following shot, where the shield pins Aragorn against the tree, his sword is still in his hand, only to fly out again on the shield's impact.
* At Bilbo's party, when Merry and Pippin set off the dragon firework, they are shown inside a small tent. The tent has dishes and other things in it, and is quite full. When the firework launches, taking the tent with it, you can see that all of the things inside the tent (with the exception of Merry and Pippin) have disappeared.
* Not a mistake, but a neat thing to look for - When Frodo falls on the mountain, loses the Ring, and Boromir picks it up, Boromir talks about it, and acts like he's about to take it for himself. If you watch the Ring, it jerks and twitches, but the chain it's on doesn't move. The Ring is moving by itself.
* At the end, when Aragorn leans over to kiss Boromir's forehead, watch Boromir. When Aragorn's hair touches his face, Boromir closes his eyes tight.
* When Gandalf pulls Sam in through the window at Bag End and throws him on the desk to ask him questions, several items fall off of the desk. The scene switches back and forth between Sam and Gandalf's perspectives several times. When Sam is shown, sometimes there is a wooden box or book on the floor to the left side of Sam's head and sometimes there is nothing on the floor.
* In the Prologue, right after King Elendil, Isildur's father, is struck by Sauron and killed, you see him land next to the cliff and a close-up shows that Elendil's helmet is still firmly on his head, although it is damaged. In the next shot of Isildur running up and holding his father's head, the helmet is nowhere to be seen. Isildur did not remove it, because it is not on Elendil's head when Isildur runs up and crouches next to him.
* When Saruman and Gandalf are fighting in Isengard (Orthanc), Saruman is pushed to the wall. When he "crashes" to the wall, you can see the black, short hair of the stuntman losing the white hair of Saruman.
* When Gimli falls onto his knees in front of Balin's Tomb in Moria, in one shot he's a few feet in front of it, in the next he is so close to it, that he could lay his head onto the tomb. In the following scene Gimli is further away again, so he should not have been able to reach it with his head.
* When Gandalf arrives in Hobbiton, you can see a long silver scarf (as described in the book) dangling from a post on his cart - next to the driver's bench. In the first shot it is on the right hand side of his cart In the VERY next shot, the scarf has moved to the left hand side of the cart, nearer to Gandalf.
* When Gandalf is talking to Saruman in the tower at Isengard, the sunlight is streaming through the window behind Saruman. When the shot switches to Gandalf, who is opposite Saruman (and facing him), the sunlight is streaming in through the window behind him as well.
* When Arwen is talking with Aragorn near the broken sword her eyes are brown. Later, when they are talking on the bridge, you can see that here eyes are clear blue.
* When Gandalf is leaving Bag End in a hurry, right after Frodo has received the Ring, he clearly bends down and passes below the light fixture in the main entrance hall without touching it. When he turns around to answer Frodo’s question, the light fixture is swinging back and forth as if he bumped it.
* During most of the movie, Frodo's fingernails are short and bitten down. Yet in the scene where the Black Rider appears after they have just been in Farmer Maggot's field, and Frodo struggles to avoid putting the Ring on, you see a close up of his hands and the fingernails are normal.
* At Weathertop, when Frodo gets stabbed by the Black Rider, the other hobbits come over and kneel down beside him while Aragorn fights off the Black Riders. If you watch closely, the three hobbits change sides (beside Frodo) throughout the scene. Eg. Pippin is on the left in one shot, then on the right in another.
* When the hobbits enter Bree through the gate, there is a distance shot from above, and the principal actors have clearly been replaced by their shorter doubles. Worse than that, however, is that their sizes are completely wrong. The last hobbit through the gate is really really fat - much fatter than any of the hobbits really are. And he isn't even supposed to be Sam, who is the stockiest of the hobbits: when the view switches to a closeup of the principal actors from inside the gate, it's actually Merry who's last - and he certainly isn't obese.
* In Boromir's death scene, when Aragorn puts the sword into Boromir's hand, Aragorn's finger with the ring on is covered in blood. When we see his hands on Boromir's chest a second later, the blood has vanished.
* When Galadriel pours water from a pitcher into the fountain, three set lights can be seen reflected in the pitcher.
* When Aragorn is letting Frodo go to Mordor, in one shot it shows him facing the camera and you can see that Frodo is up to his shoulder. In the next shot, Frodo is only up to his waist, but Aragorn hasn't moved.
* When Gandalf first visits Bilbo in Bag End they sit at a long table that is positioned lengthways from the camera. Bilbo potters about at the far end of the table and Gandalf goes to the left at the end closest to the camera. As he sits down the near half of the table wobbles but the far half does not. This seems to expose the fact that the table is actually in two parts, a small sized piece of table close to the camera next to which Gandalf looks large, and a normal sized piece of table a bit further away that looks the right size for Bilbo. The two pieces are filmed from such a perspective that they look like they join together in one long table and the fact that there is really a gap between them so that Bilbo is further away than it seems, makes him seem small compared to Gandalf. There is a round of cheese and various pieces of crockery on the near piece of table to disguise the gap.
* When Frodo and Gandalf are discussing the fate of the ring in Bilbo's house, the ring is on the table in front of them. When the camera goes to close ups of the ring it is sometimes to the left of the table and sometimes to the right. Looks like a simple camera reversal.
* At the council of Elrond, when the fight breaks out between the Dwarves and Elves, we see a closeup of the ring showing a reflection of the scene. The mirrored scene should appear back-to-front, but it doesn't.
* At the secret meeting scene at Rivendell, when Pippin and Merry appeared to join the fellowship, Elrond's head movement was not in-sync with the path the two hobbits took when they ran towards Frodo and Sam.
* When the hobbits are hiding under the tree trunk from the Ringwraith in the beginning, you can see space to the left and right of the tree above them. Logically when the Ringwraith walks past the tree you would see it on the right side of the tree first, then on the left, but you don't - it looks like it walks out of the tree instead of behind it.
* After the fellowship passed the statues of Argonath, the river ends by a huge waterfall. There's a huge rock on the very tip of the waterfall, yet the reflection is not visible on the water; compare it with the Argonath statues which have its reflections on the water.
* Just after Gandalf enters the Bag End for the first time he looks the map of the Middle Earth on the table. In first shot when he is grabbing the map, you can see that there are two scrolls and a flat empty paper stacked on the map. In next shot, there is only one scroll and a paper with some kind of pattern on it.
* When Frodo rescues Sam in the river near the end of the movie, he grabs his hand. After a moments pause Sam grabs Frodo's hand in return. But when the two break through the surface, the two hands are turned the wrong way. There is no way that they could have gripped each others' hands in that position.
* At Isengard, Gandalf is on top of the tower, it starts to pour with rain. Cut to Saruman and orcs "the trees are strong, their roots..." etc. No rain at all. Cut back to Gandalf and wide aerial shot over Isengard, still pouring.
* After Frodo leaves the Fellowship with Sam at the end of the movie. Aragorn and Legolas are talking to each other about what is to happen next. When the shot centers on Legolas alone you can clearly see he has modern arrows in his arrowshaft. They're factory made wooden arrows with plastic tip ends to fit the string. The same thing can be seen with Aragorn in the next shot.
* Not only do the arms on the two large statutes at Amon Hen change, the statutes themselves switch places. When we first see them, the statute of the younger man has a winged helmet and is on the left and the older with the smooth helmet is on the right. In the shot once the boats have gone past, the winged helmet statute is on the right and the smooth helmet statute is on the left.
* In the Mines of Moria, when the cave troll has barged in and started fighting with the Fellowship, the troll hits the tomb, causing Gimli to leap over to the side and fall on the floor. In this shot you can see Legolas fighting an Orc up some stairs behind the troll, but just a second later, Legolas is seen firing two arrows UP at the troll, from the level where Gimli just was.
* In the scene where Gimli kneeling is at Balin's Tomb (in the Mines of Moria), he is first shown kneeling right next to the slab. When the shot changes, he is suddenly a couple of feet back. Throughout this whole section, his position changes, depending on the shot used. In this same scene, his axe also changes positions. The blade faces forward, then suddenly it is turned around backwards, again alternating depending on which shot was used.
* After Arwen has crossed the river at the Fords of Bruinen and is challenged by the Ring wraith Witch-King, she draws her sword and holds it high and ready to strike. Arwen then calls upon the waters of the river for assistance. When the rush of water with horses heads comes around the bend and into view there is a clear shot of Arwen’s back as she is watching the water come down on the ring wraiths and she is not holding her sword up. Shortly after all the ring wraith’s are swept away, there is a scene of Arwen’s face and upper body and she is still holding the sword high and ready to strike.
* In the scene where the now invisible Bilbo returns to Bag End he chats with Gandalf then leaves dropping the ring on the floor near the door. As Gandalf goes to pick it up the ring is on a tile with a crack in it and the ring is about 3" from the crack. In the next shot from side on, the ring is almost touching the crack.
* In Moria when Frodo is hiding around the column from the cave troll, Frodo slides back to where he thinks the cave troll isn't, and breathes a sigh of relief. However, Merry and Pippin are directly to his right, looking at the spot where the cave troll pops out of and surprises Frodo. Don't you think they would have warned him?
* During the scene when Gandalf is reading about the ring there are candles burning to the left of him. When he starts reading the first page the candles are barely melted, but by the time he has finished that one page, they are almost burned out.
* During the chase of Arwen by the Ringwraiths, Arwen is injured on her cheek by a tree, but during the rest of the chase there is no blood mark on her cheek. We don't see it again until she stops and challenges the Ringwraiths.
* Frodo stumbles down the snowy mountain and loses the ring. When Boromir brings him the ring, you can see that Aragorn's right hand is not on the sword-hilt. But just a second later, the camera shows Aragorn removing his right hand from the hilt.
* In the Mines at Balin's tomb, Gandalf finds a diary that one of the dead Dwarves is holding. He reads out what has been written, and the last thing that has been written on the page is scrawled across the paper - when the Orcs got into the tomb and killed them. So how come when he first found the book the Dwarf was holding the closed book tightly in his arms? Did the Orcs pick it up and put it back after they had killed everyone?
* In the scene where Sam and Frodo are in the field with the scarecrow, you can plainly see a car cruising past in the distance, from right to left. This holds the dubious distinction of being the first urban myth (of sorts) spawned by this site - some people swear blind there's a car there, others insist there's nothing at all. All I can say is watch it and make up your own mind. If there is a car, they'll delete it for the DVD release, so get in there quickly! Further comment - there are two different shots which show the car moving from right to left. One starts at the top right distance, and in a shot a few seconds later the car has travelled down the road a bit and is more easily visible. Complicating matters is that the dust thrown up by the car looks similar to smoke from a chimney in the right distance, making some people think it is just the chimney. But chimneys don't move, and the smoke from the chimney is separate from the moving vehicle.
* As Boromir and Aragorn talk right before Boromir dies, you can see Boromir's right hand gripping Aragorn's left shoulder in the shot from behind Aragorn's right shoulder, but when the camera veiw changes to Boromir's perspective, looking up at Aragorn, his hand is not there. The scene goes back and forth between these two views several times.
* When the Fellowship meets in Rivendell, and the Dwarf trys to break the ring with his axe, the axe breaks into many pieces on the platform upon which the ring is laid. At first, the pieces are there in the closeup view. When the camera pans back for a long range view of the Fellowship, the pieces of the axe on the platform are gone. In the following closeup, the pieces magically re-appear.
* After the battle with the cave troll, Aragorn rushes over to injured Frodo and brushes past some big rocks which wobble, showing that they are clearly lightweight and not real.
* When the fellowship is in Moria, right before the Balrog comes, they are surrounded by orcs. They all have their swords drawn, and Frodo's is not glowing blue even though they are surrounded by orcs. Some people have said they're goblins, but given that Frodo's sword was glowing during the first attack, it should be glowing later too.
* Towards the end of the movie, where Frodo is collecting wood and he has the fight with Boromir, he puts the ring on his finger, somehow it went from the chain he had it on to his finger without any problems. the next time he has the ring is when he takes it off (no chain) and offers it to Stryder (no chain) when he is down by the river, he has it on the chain in his hand...too much action going on with that chain.
* When the hobbits first start to run away from Farmer Maggot, they are running through the corn, which is clearly much taller than them. Two seconds later, when the camera angle changes to the wide view (you can see all four hobbits running through the corn), their heads are even with, if not slightly above the corn.
* When Frodo stops rolling down the snow covered hill, just before the shot of Boromir picking up the ring, you can see the edge of the stockings that the actors wore to protect their feet since there were walking in real snow for that scene.
* When Frodo awakes in the bed in Rivendell, Frodo's shirt is open and the sheet low down on the bed in the first shot, and then his shirt's closed and the sheet pulled substantially higher in the next shot.
* When the Fellowship first sets off they are on top of a mountain and the bird spies are aproaching, Boromir says that it can't be a cloud because it's blowing against the wind, when quite clearly his hair is blowing in the same direction as the shape is moving.
* When Arwen and Aragorn are talking on the bridge, you see Arwen's lips moving while Aragorn is speaking.
* When the orc kills Boromir, he shoots him twice, and you can clearly see the hole/blood stain for the third arrow between first ones, and only then the third arrow appears.
* When the hobbits are sitting at the table in the Prancing Pony in Bree, Merry comes back with a pint. Pippin leaves to get one too. Then we see Sam mention to Frodo that a man is looking at them, across the table sits Pippin and no Merry.
* When they are in front of the 2 big statues, the statues raise their left arms. When they pass them and you can see them from behind, one statue has raises its left arm and the other its right arm.
* The logs that Boromir carries in his arms when he talks to Frodo at Amon Hen are different in pattern and number during the conversation and right before he trows them to the floor.
* When Gandalf and Saruman are talking in Ortanc, we can see a black strap around Gandalf's fingers on the hand holding his staff. In some shots it's around different fingers, in others it's disappeared completely.
* In Balin's tomb (in Moria), just before the Orcs break in and the fight begins, watch the hobbits (behind Gandalf). In the front view (where you see their faces), they are huddled together in close proximity. When the shot changes to the rear view, you can only see two hobbits behind Gandalf because they are much more spaced out. When the camera comes back to the front view (they draw their swords), they are close together again.
* At the scene where Gimli and Aragorn fends off the orcs, right after Boromir has died, Gimli`s beard changes from two to one plaits in a matter of seconds.
* At the battle on Amon Hen, Strider falls back and lets an Uruk Hai fall into his sword. In the next shot you´ll see Strider drawing his sword from the Uruk between his arm and his chest (seen on the left side of the scene).
* After Bilbo returns from the party invisible and finds Gandalf by the fireplace, look at Gandalf as Bilbo walks between him and the fire. There is no shadow cast on him when there clearly should be. Also as the camera pans round following Bilbo's movements, you can see Gandalf is casting a shadow on the floor but not on the table, but when Bilbo walks up to it he does, even though Gandalf is between him and the fire light.
* In the scene where the fellowship of the ring have just arrived in their boats past the two massive statue things, Sam sits down. He is in the background of the main shots and at one point he is deeply asleep, then suddenly he is halfway through cleaning his sword, then he's deeply asleep again.
* After the Hobbits go through the gate at Bree it is raining heavily, however there are no raindrop splashes in the puddles further up the road.
* In one scene we see a man cutting wood. A close up shows him putting a piece of wood on the stump, but when we pan out to see the dog barking, the piece of wood is gone.
* When Gimli jumps up on Balin's tomb he crosses his axes in front of his face. The shot canges to his front and now he's holding the axes straight up (so you can see his face), the shot switches back and the axes are crossed in front of him again.
* When Arwen enters the water after being chased by the Ringwraiths, as she turns the horse, you can clearly see the fake hobbit (representing an injured Frodo), bounce up and down like a rubber band.
* A pictoral cameo: The two portraits in oval frames hanging above the fireplace in Bag End are of Peter Jackson and Phillipa Boyens.
* When Frodo is recovering in Rivendell from the Ringwraith dagger he is first seen lying in the bed with a chain necklace clearly visible (to which the ring is attached) - in following scenes the necklace is sometimes there - sometimes not.
* Most of the time the hobbits are barefoot, but when Frodo and Sam are first walking through the fields, Frodo's leg come above long-grass level and his shoe is clearly visible.
* Near the end when Frodo has tears running down his face. In the first shot the tear on his right side is short and the left side tear is down to his chin. in the next shot they are reversed. Some people have said it's just that one tear lengthened and a new one started, but look at the right-hand one (the longer one in the first shot). If there was a new tear, we'd still see the damp path of the first one, but it's rolling down a dry cheek.
* When Boromir goes to the door of Balin's Tomb in the mines you can see Aragorn in the background putting his torch on the ground, then when it switches to Aragorn and the others he puts the torch down again.
* Before the passage of Carhadras, Boromir is fencing with Merry and Pippin. When they tackle him you can see Merry's face and it's obviously a dwarf stand-in for the actor.
* When the fellowship are sailing down the river (through the two statues) the foot of the left statue looks as if it's at the same level as the water. Then in the next scene (camera angle from above) the foot is not at water level. It appears to be on a high rock.
* When Bilbo flees from the party, turned invisible by the Ring, as he opens the door to Bag End we see out through the door and the camera shoots off against a black drape. In subsequent shots through the door at night moonlight scenery has been added.
* In the beginning, Gandalf's pipe keeps mysteriously vanishing from each scene, when he is guiding the cart with Frodo.
* When they are all walking up the snowy mountain the camera starts off with a larger view and then goes to a closer view of the people. In the larger view there are no footprints but in the smaller view there are.
* When Sam tells Frodo that if he take another step, he will be farther away from home than ever before, he stands next to a scarecrow. In the next scene, we see both Sam and Frodo, and Sam has passed the scarecrow by several metres. Another zoom at Sam, and he stands by the Scarecrow again.
* At the end of the movie, when Frodo takes the boat to continue on his own. Sam runs into the water to follow Frodo as he promised Gandalf. When Sam is about half way to the boat, he goes under water because he can not swim. He almost reaches the bottom of the flood, and does not swim up at any time. Suddenly, Frodo takes his hand and pulls him into the boat, but Frodo has not moved an inch and Sam did not swim to the surface.
* When Frodo is lying on the floor after Arwen defeats the Ringwraiths, you can see a pimple under the right side of his mouth. The same pimple can be seen when the fellowship aproaches the Pillar of the Kings on the Emyn Muil; in the rest of the movie there is no pimple.
* In the credits, the word "Technical" is spelled "Technicial" in one instance (it's on the right side, reasonably early on - it is used in the phrase "technicial continuity.").
* When Frodo is talking with Gandalf while sitting at the table in Bag End, he is pouring tea into a teapot in one shot, then Galdalf talks for about 3 seconds, and in the next shot Frodo has a cup of tea to his lips.


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Do you believe in death after life?

Phreakmeister
March 31st, 2002, 09:06 AM
GLADIATOR
* After the battle with the Germans, the next morning after the tavern, he is walking in the army camp and he feeds a horse a piece of apple. If you look closely between Maximus and the horse, there is a crewman wearing a pair of blue jeans.
* In the battle with the Barbarian Horde one of the chariots is turned over. Once the dust settles you can see a gas cylinder in the back of the chariot.
* In the fight scene with the chariots Maximus takes one of the horses from a chariot and jumps on it. The horse already has a saddle complete with stirrups despite the fact it was pulling a chariot and not carrying a rider.
* In the beginning of the film at the major fight sequence. When you see the Romans shield themselves with the rectangular shields against the barbarian's arrows and then they charge at each other. If you look closely enough, you can see two Roman soldiers standing there having a great laugh, one pointing a sword smiling, and the other one staring at the ground laughing to his heart's delight.
* When Lucilla takes her hand and closes Maximus's eyes after he dies you can clearly see him blink.
* After Maximus and Titus' battle, Titus falls to the ground and we see his mask is already up. Maximus then pulls the mask up which has magically come down over Titus' face again.
* After one of the colosseum fight scenes the camera pans down from the top levels of the stands down to the arena. If you look closely at the start of the panning down, you can see a crew man standing amongst the crowd close to the camera in civilian clothes and headphones over his head.
* When a group of soldiers goes to Maximus' villa to burn it and kill his family, his son points them, saying in perfect italian "Mama! I soldati!" I just don't understand why he speaks italian in a movie in English, where people are supposed to speak Latin, in a province where this language was never ever spoken. (The current Italian developed from the Medieval Tuscan dialect, which is a dialect of Latin. Modern Italian is a novelty nowadays, let alone 1500 to 2000 years ago)
* After the final fight scene, where Maximus is dead and on his back in the sand, his armour should have made his head droop horribly backwards. To avoid that they have put a pillow of sand under his head to raise it about three inches.
* In the scene where Maximus quickly kills all his opponents, the third to last man he kills of the group of men, when he stabs him in the stomach, you can clearly see him "stab" to the side of his stomach. Even more visible when you slow it down.
* Commodus and Maximus are on their way up from underneath the colosseum, the ground is covered with red rose petals. Once the guards have formed a square for the fight, there are no roses within the square.
* When Maximus arrives in Rome there are no scars on his shoulder. There should be after his sword cut and removing his tattoo.
* As Maximus approached his home after he should have been killed, the grain fields clearly show marks which are only caused by a tractor during crop spraying.
* During the first Gladiator match in Morocco, Maximus and Juba are chained together. Once they have killed the last man, the camera takes us around the arena. You can clearly see the shadow of the camera on Maximus' chest. It happens twice.
* During the enactment of the Battle of Zama, Russell Crowe rides his horse around a bend with his sword in his left hand. When we cut to close up, it's back in his right. Looking at the left-handed shot in freeze-frame, you can see the frame has been flipped, left-to-right (check the armour). This was probably for continuity reasons. Similarly, Maximus jumps on the horse and his shoulder protector is clearly on his injured left shoulder. However, a few frames later, the protector is on his right shoulder, then it moves yet again back the correct spot, the left shoulder.
* In the first battle in Rome the gladiators are running through the chamber to the arena. Maximus is at the back of the group, though when they emerge from the tunnel Maximus is at the front of the group. What happened?
* If you get the DVD, you can see some of the uncut scenes. One of these involves a firing squad. Quintus says "fire". Of course this is incorrect, since you don't fire a bow and arrow, but "loose" it. The term "fire" came only with the invention of the gun. It's a common mistake in bow / arrow type situations.
* At the end of the first battle sequence there is a brief "victory" shot of the Roman army celebrating. Towards the bottom of the screen you can see an obviously dressed barbarian warrior cheering alongside some Roman soldiers. Wonder what he has to be happy about, except for maybe being alive in the middle of that bunch...
* In one of the scenes after the first big battle, there is a horse in the background. You see it stand up. If you look closely, there is about 5 feet of chain, attached to its leg, holding it to a nearby tree.
* In the scene where the Roman legion attacks the gladiator's quarters and the gladiators are forced to fight in order to hide Maximus' escape, the big German gladiator is shot full of arrows. Note the blocky silhouette of his torso area? What kind of padding is he wearing under that canvas jerkin?
* In one scene, where you see a view of the colosseum and its flags, all the flags are pointing towards the middle and that's strange keeping in mind the wind comes from one direction.
* Near the end of the movie, when Commodus and Maximus are in close, struggling for the knife, take a good look at the knife. Both of the actors' hands are gripping it and it's clearly rubber because it's bent at a serious angle.
* When Maximus talks to Lucious about his two horses on his armour he calls them "Argento" and "Scouto" this is latin for "Silver" and "Scout" the names of the Lone Ranger's and Tonto's horses.
* During the scene where Maximus throws the sword into the crowd and yells "are you not entertained", the camera pans around, and in the crowd, for a split second, you can see a cameraman in jeans and a shirt standing next to a camera. This is visible on the big screen, but hard to see on video, unless you see it on DVD and can zoom in.
* Although many like to quote it, few have apparently read "Decline and Fall of the Roman Empire". For it clearly describes a Roman general named Maximus Quintillian. He may or may not be the person portrayed in the movie, but there was a Roman general named Maximus who defeated the Germans and was a favourite of Marcus Aurelius. He was killed by Commodus.
* In one of the scenes in Rome leading up to a fight, leaflets are being handed out. These didn't exist, event notices were written up on boards.
* At the beginning of the film just when the two armies are taunting each other, the chants from the Germanians is taken from the soundtrack of Zulu.
* At several points in the movie you will see speeches to a large crowd. These take place at the Piazza di San Marco. This square however is late renaissance. Connected with this is the columns you see in these scenes. They were designed by Bernini! And they didn't even remove the statues of all the popes!
* In the scene where Maximus is pounced on by the tiger while fighting Titus, if you look close enough you notice that the tiger lurches for Maximus's hand. If you look even closer you can see Maximus holding food in his hand so the tiger would jump on him.
* After the opening battle against the German barbarians there is this celebration in the tent and Maximus embraces Quintus, saying "Still alive? The gods must have a sense of humour." But he already met Quintus immediately after the battle - when he helped the emperor to get up to his horse he passes his sword to Quintus.
* During the scene in which Maximus battles one-on-one with the undefeated warrior in the Coliseum, Maximus is ordered to kill the warrior. As he refuses and throws the axe down, the left side of his neck is completely covered with blood. When Commodus enters to speak with him, there is only the slightest trace of blood on his neck, which now also seems to be completely dry.
* During the final scenes, when Maximus has been killed and his corpse is lying on the sand, we can see both the slaves and the praetorian guards forming a semicircle around Maximus. When someone asks for help to carry his corpse, during the second it takes long to raise it up (shot change), the slaves have moved and the praetorian guards are forming a perfect honour corridor through which Maximus's corpse is about to go by.
* In the battle of Carthage, towards the end just after the repeater crossbow has been fired, we see one of Maximus's friends running towards one of the fallen chariot riders. You can clearly see the spike that he kills the guy with moving as he runs, suggesting that it was made of a softer, safer material.
* In one of the scenes where Maximus is riding for his own home - a scene with fields on both sides of a dirt road, the field on the left has 'wheeltracks' in it - not anything likely to be seen at the time of Maximus - in our time these tracks are not made by driving over corn, but are deliberately not sewn to avoid wheels crushing the corn.
* When Maximus is walking to the arena in Rome and his friend uses the black haired girl to pass him the message (his carvings) the woman grabs his chest plate and almost pulls off the metal horse. A second later the metal is back on his chest guard undamaged.
* Towards the end of the film one of Maximus' gladiators (the very large muscular one) gets an arrow in the back. You can clearly see that he either has a telephone directory or a piece of wood shoved down his vest. Either that or he has an unusual medical complaint called square humpback.
* When Maximus slices the head off of his opponent, and delivers his line "Are you not entertained?" his sword begins in his left hand then it cuts to a wide shot, and it's in his right, then they cut back to a closer shot and it's back in his left hand again.
* Architectural elements were from several centuries later. Note the balustrades, bell towers and domes in the Rome skyline shot and, more than anything else, Maximus' house, a typical 15th century Chianti villa.
* During the fight with the gladiators in the chariots, Maximus jumps on a horse and chops off a gladiator's head. Now you can clearly see the blood on the blade. But when he turns the horse to attack another gladiator he wields a shiny blade.
* In the second battle scene where Maximus fights 6 guys about on about the fourth guys Maximus stabs him in the chest. Blood splatters every where and even all over his right arm. In the very next shot his arm is miraculously clean.
* When Maximus grabs some earth before the final fight, you can see blood from the wound already trickle through his shirt, but when he picks up the sword it is magically gone.
* In the final fight scene between Commodus and Maximus when Commodus loses his sword and Maximus drops his, we see Lucilla stand up but when it goes back to Maximus she is sitting back down, this happens a lot during the close-ups in this scene.
* After the Gladiators are victorious at the Battle of Carthage, Maximus reveals his identity to Commodus. The time seems to change from sunset to high noon a number of times. The crowd shots are at noon, the close ups are clearly made with the sun on one side of their faces.
* In ancient times busts of philosophers or emperors were coloured to look lifelike. The busts you find in Marcus Aurelius's tent are all blank.
* When Commodus tells his nephew Lucius about Roman history, the hairdo of Lucius changes a few times during the scene.
* At one point during the first Barbarian attack you see the Roman soldiers creating a line-up with shields, soon after followed by the barbarians running towards them off-hill (starting their attack). Clearly a few Barbarians stopped fighting a little too early and you see them (left-side) turning and looking around.
* At the beginning of the film, when the Romans are about to fight the "Barbarians", a shot of some soldiers standing beside a war machine is shown. In the background, you can see that the fires for the archers are already lit. They then show the same fires being lit and you can tell they are in the same place as the ones previously shown.
* At the end, when Maximus had gone to Elysium and was meeting his wife and kid, both the wife and the son put their hands up as to shield the sun from their eyes. You can clearly see that their hands are not blocking out the sun, because the shadows are not over the eyes.
* In the restaurants outside the colosseum you see glass bottles on the table and the senators drinking from glasses. But glass was much too expensive in that time to be used in such ordinary restaurants.
* In the battle scene with Titus, not only does the visor flip up and down (see above), but when Titus falls down with his visor up, you can see that his face isn't marked, but when Maximus re-unmasks Titus it's bloody with a giant scrape across the face.
* Just before the battle with the germans begins, while the germans are taunting the romans, there are many arrows in the trees and in the ground. Twice we see this. Problem is that the disciplined romans had not fired a single arrow at that point and no skirmishers, which could have been authorized to shoot before the order to "loose", can be seen in the open area in front of the defensive position.
* Women were not allowed to be mixed with men. Only Vestales could stay where men were. Women could see the games just from the last ring-level of the colosseum.
* A bit of trivia... It was filmed in Malta and many of the extras are Maltese. In the scene where Maximus is escaping through the tunnels to get away from the Romans, he finds his friend on a horse with his neck in a noose. This apparently almost killed the guy on the horse as the horse was restless during filming. This is because the scene is in a not very well lit area underneath the entrance to the capital city of Malta and was filmed at 2am. Apparently some drunks walking home from the pub decided to ... er ... relieve themselves there, and upset the horse...
* In the scenes of the colosseum the shade of the arena is wrong. There would be two types of tickets: shade or sun. One half of the colosseum would be shade and the other sun. They still do this in Spain at bullfights. The shade tickets are much more expensive of course. In the movie it looks more like closer to noon than four or five o'clock.
* When Commodus and his sister are standing next to the dead Marcus Aurelius lying in the bed, the Emperor is still breathing.
* In the first battle against the Germanians, after the Roman army shoots their arrows, if you look hard enough, you'll notice all the soldiers aren't "real" people. Some of them are obviously mannequins and they just stand there.
* After the battle with Titus, Maximus' neck was spread with tiger's blood. But when he faced Commodus, no blood on his neck.
* In the final battle, there are about 20 or something praetorians on the platform when it moves up. But when you see the platform coming up to the arena there are suddenly enough to form this "tortoise" and then they have cloned in order to arrange the circle around Commodus and Maximus (about 45 praetorians).
* When Maximus falls over after his fight with the emperor, slow the tape down. You can clearly see the Russell Crowe remembers that the woman has to kneel on his left side, and so quickly pulls his left arm in.
* In one of the first gladiator fights, when Maximus chops off the head of his enemies with two swords, it can be clearly seen that the head, or object posing as a head, is already detached.
* The throne on which Commodus sits at his palace looks like an 18th century "Empire" style chair typical of Napoleon's period, (I believe they used marble thrones with cushions). Also it is situated in front of an opening that looks like a balcony. Not considering the fact that the Emperor could catch his death of cold, it would have been extremely easy to murder him. Also where was his Praetorian Guard when he moved in the Palace?
* Women gladiators were never allowed to battle with male gladiators because the Romans thought it was an unfair match.
* Some of the Legionaries and Gladiators have quite lengthy swords. For the time period, only short swords were in use because they were easier to use with one hand wile the other was used with a shield.
* During the battle of Carthage, Hagen stands alone with an arrow in his shield, couple of scenes on, no arrow, couple of scenes on again, an arrow hits his shield.
* After the final fight scene when Maximus is on the ground, Lucilla is knelling above him. When her face is shown, it is blocking out the sun. And yet, when they show Maximus's face, there is no shadow.
* There's a blackboard in one of the scenes when there's about to be a gladiatorial contest. They may have had blackboards then, but the writing on it is wrong. The sort shown takes ages to chip into stone used on statues, etc, and I suppose it would take quite a long time just to write things on a blackboard. They had different writing for things like that, as shown in the graffiti in Pompeii. It's more flowing, and I expect it's quicker to produce.
* In the scene where the Emperor is standing over his nephew touching his face while he slept. His sister enters the room and you hear only her footsteps, but he is then standing at the end of the bed out of reach of the boy. He does not have time to make that move.
* The first gladiator fight in the colosseum, when Maximus picked up the arrow from the ground. His hand was covered in blood but when the camera shoot his hand for a second time, no blood at all, and the third time, you can see the blood again.
* During the first battle the Romans had with the Germans, they show a scene in slow motion with very emotive music that shows the massacre in the forest. Look closely at all the Romans and you will see one fall to the ground, then, as if it was a rewind, come back up again - and then fall again.
* In the first battle in the colosseum, right before the female gladiator get chopped in half by the chariot, you can see someone in a black outfit wearing what looks like safety or hiking boots driving the chariot.
* During the battle scene at the start a barbarian is hit with a balista bolt that pins him to the barbarian running behind him. But if you watch closely you'll see that the first barbarian is there with the barbarian behind him facing slightly to the right of the screen. When the angle changes to behind them they land on top of each other if they had been pinned together by the bolt - if you watch the scene frame by frame on the DVD version you can see the CGI bolt move from the first man's chest down towards his thigh.
* The snake with red-yellow-brown skin you see in a night-shot in Rome lives only in deserts in North America.
* In the scene where the emperor lies dead he is clearly still breathing.
* During Maximus's death scene at the end you can clearly see the entrance that Commodus and Maximus entered the arena through in the floor of the arena. After Maximus's gladiator friend is done burying the figures of Maximus's son and wife you can not see the entrance anymore when he is walking away.
* At the end of the battle with Tigris of Gaul, Maximus kills the tiger that leaps on top of him and throws him off to the side. In the next shot the tiger is back on top of him and he has to fight with it laying on his stomach. Later the tiger is once again off to the side.
* Before one of the fights there are chariots with men throwing bread to the crowd. The camera angle changes and they have moved further away from the crowd.
* The weather during the battle against the Germans changes almost every second: Hard snowfall, soft snowfall, almost sunshine, soft snowfall...
* When Lucilla and her brother the emperor are entering the city, she is wearing an orange veil. Orange veils were often worn by brides at their weddings during that time. It took me a minute to figure out that she wasn't marrying her own brother, considering the scene resembles a royal marriage procession, and the booing crowd could be people booing an incestuous relationship.
* In the scene where the four soldiers are taking Maximus out in the woods to kill him, the swords don't add up. Maximum grabs the first guy's sword and kills him with it. Then the other one tries to take his own sword, but the frost makes it stick to the blade and then he is killed. Maximus yells for the third, and when he comes closer, Maximus throws his sword at him, so he dies. He yells for the fourth and last soldier, and suddenly he has a sword in his hand - where did it come from? The only available sword was stuck in the scabbard by frost.
* In the scene where Maximus is being transported by the slave dealer guys (Djimon Hounssou included) he has several visions and flashbacks, the wheat being the fairly common theme. If you look closely, you will see a one or two frame shot of him taken from much later in the film, when he is tied up under the colosseum before Commodus stabs him. His powers of seeing into the future are interesting...
* When Maximus is dying and entering Elysium, you can see that it's not Russell Crowe walking through the fields to his wife and son. The stand-in's build and physique is totally different.
* When Maximus walks through the wheat field it is obvious (to a botanist) that the wheat shown is an octaploid variety which was developed in the 1950's for the green revolution. The type of wheat grown back then can still be found in many areas too, so it's not like they couldn't have used the right stuff...
* When Commodus is telling Lucius about Cleopatra and Lucilla comes in, he says he'll tell Lucius another story the following night. Then, he proceeds to tell the story about Claudius and he insinuates how Lucilla betrayed him and all that. So, in retrospect, he has already told the story... kinda annoying.
* When Maximus reveals his identity in the colosseum, why is it only Commodus that remembers him? This was the Commander of the Roman Armies of the North, he was seen chatting with two of the senators in the opening scenes, and he was supposed to be dead (either executed as a traitor or gloriously fallen in the German campaign). Why did all the senators and all the people take him as a new arrival?
* Maximus states the number of his troops incorrectly a couple times. In the Germanian fight, he says something to the extent that he has 4000 troops plus another 2000 making 5000 altogether. At the end of the battle, he says 2000 died, but when talking to Gracchus later he says he has 5000 men waiting for him.
* In the battle against the Barbarians, Maximus and the other Roman officers wear helmets that have the crest going front to back. Greek helmets' crests went front to back - Romans' crests went right to left.
* At the very end of the film, when Maximus lays dead on the floor of the colosseum, you can clearly see a vein in his neck pumping merrily away, full of life after the previous fight with Commodus. But surely his heart would have stopped beating by then, and his blood stopped pumping?
* At the beginning, before the battle, it's the middle of winter and Maximus says, "In three weeks' time, I'll be harvesting my crops." He refers to the forthcoming harvest after the battle too. He'd have done better to say "planting my crops" - never heard of a harvest three weeks after winter!
* In the arena Maximus says to Commodus that he is a commander of Felix legion - in the Germania battle scene there is a flag with FELIX III written on it. According to Graham Webster (The Roman Imperial Army, GB 1996, pages 109-113) there was no legion called Felix. In that time there was a III legion called Italica Concors raised by Marcus Aurelius in AD 165, but possibly that was too complicated...
* In contrast to his tough character Maximus, Russell Crowe requested to be given armour half the weight of everyone else's. [To be fair, he did have to perform loads of fight/action scenes in the armour throughout the film, far more so than any other character].
* In the very opening scene, Maximus sees a Robin perched low to the ground. When it flies off screen the film cuts to Maximus watching it, smiling, as it apparently flies up and away. Robins never do this. They'd always fly off low through the undergrowth.
* When Commodus arrives at the battlegrounds the soldiers tells him that the emperor is at the front. "They've been gone for 19 days. The wounded are still coming in." What does that mean? The battle took 19 days? The emperor helped to look after the wounded? I didn't get that.
* All of the senators etc. have names from OTHER Hollywood epics, not actual historical figures.
* In the first battle, the fighting commences with arrows and siege machines - I'm pretty sure the Romans didn't use siege engines in wooded battles, and they wouldn't have brought that many Syrians (the only archers in the Roman army) to Germania.
* In the time of Marcus Aurelius all the legionary commanders were senators and having a seat in the senate house in Rome. When Maximus arrives in Rome as a gladiator he is seeing the colosseum first time and admiring its size. Is he just pretending?

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Do you believe in death after life?

The Horseman
March 31st, 2002, 09:28 AM
A few things

1. How the hell do you have enough time to go through all those films noting that down!!!! I don't even have enough time to be writing this!
2. Try the Internet Movie Database - they're pretty good about posting goofs (sorry, I haven't read about how to post links yet).

Serendipity
March 31st, 2002, 04:36 PM
Horseman, How to post a link:

[*url=http://www.yourlink.com]Your Link[*/url]

Just do that but without the * asterisks. It'll look like this:

Your Link (http://nowhere)

Have a look at the FAQ Section (http://www.dumblaws.com/ubb/faq.html)

http://www.dumblaws.com/ubb/smile.gif

The Horseman
April 2nd, 2002, 05:43 PM
Thanks Dippy

nutmeg
April 3rd, 2002, 11:59 AM
I LIKED THE LORD OF THE RINGS! i liked the archer the most *turns as red as an apple* he is SOOOOOOOOO hot. *sighs*

Enforcer
April 9th, 2002, 08:49 AM
There are poeple who actually call me Legolas... cuz I'm also a guy with long blond hair... But I won't be an archer, but I'm joining a fencing club soon (that is what it's called right with the muskateer-like swords, nothing to do with fences, that's what it's called, right?)

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SQUARE RULES!!!!!

WEIRD AL YANCOVIC RULES!!!

WHAT WOULD LIFE BE WITHOUT RPG's?????

RPG-LESS OF COURSE...WE CAN'T HAVE THAT...

nutmeg
April 9th, 2002, 11:55 AM
i like blondies. theyr cute. http://www.dumblaws.com/ubb/smile.gif